Stealing Buddha's Dinner
-
- ¥1,000
-
- ¥1,000
発行者による作品情報
Winner of the PEN/Jerard Award
Chicago Tribune Best Book of the Year
Kiriyama Notable Book
"[A] perfectly pitched and prodigiously detailed memoir." - Boston Globe
As a Vietnamese girl coming of age in Grand Rapids, Michigan, Nguyen is filled with a rapacious hunger for American identity, and in the pre-PC-era Midwest (where the Jennifers and Tiffanys reign supreme), the desire to belong transmutes into a passion for American food. More exotic- seeming than her Buddhist grandmother's traditional specialties, the campy, preservative-filled "delicacies" of mainstream America capture her imagination.
In Stealing Buddha's Dinner, the glossy branded allure of Pringles, Kit Kats, and Toll House Cookies becomes an ingenious metaphor for Nguyen's struggle to become a "real" American, a distinction that brings with it the dream of the perfect school lunch, burgers and Jell- O for dinner, and a visit from the Kool-Aid man. Vivid and viscerally powerful, this remarkable memoir about growing up in the 1980s introduces an original new literary voice and an entirely new spin on the classic assimilation story.
PUBLISHERS WEEKLY
Nguyen was just eight months old when her father brought her and her sister out of Vietnam in 1975. The family relocated in Michigan, where young Bich (pronounced "bic") wrestled with conflicting desires for her grandmother's native cooking and the American junk food the "real people" around her ate. The fascination with Pringles and Happy Meals is one symptom of the memoir's frequent reliance on the surface details of pop culture to generate verisimilitude instead of digging deeper into the emotional realities of her family drama, which plays out as her father drinks and broods and her stepmother, Rosa, tries to maintain a tight discipline. Readers are inundated with the songs Nguyen heard on the radio and the TV shows she watched even her childhood thoughts about Little House on the Prairie but tantalizing questions about her family remain unresolved, like why her father and stepmother continued to live together after their divorce. The mother left behind in Saigon is a shadowy presence who only comes into view briefly toward the end, another line of inquiry Nguyen chooses not to pursue too deeply. The passages that most intensely describe Nguyen's childhood desire to assimilate compensate somewhat for such gaps, but the overall impression is muted.
