The Death of Jesus
A Novel
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- ¥1,700
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- ¥1,700
発行者による作品情報
A NEW YORK TIMES NOTABLE BOOK OF 2020
After The Childhood of Jesus and The Schooldays of Jesus, the Nobel Prize-winning author completes his haunting trilogy with a new masterwork, The Death of Jesus
In Estrella, David has grown to be a tall ten-year-old who is a natural at soccer, and loves kicking a ball around with his friends. His father Simón and Bolívar the dog usually watch while his mother Inés now works in a fashion boutique. David still asks many questions, challenging his parents, and any authority figure in his life. In dancing class at the Academy of Music he dances as he chooses. He refuses to do sums and will not read any books except Don Quixote.
One day Julio Fabricante, the director of a nearby orphanage, invites David and his friends to form a proper soccer team. David decides he will leave Simón and Inés to live with Julio, but before long he succumbs to a mysterious illness. In The Death of Jesus, J. M. Coetzee continues to explore the meaning of a world empty of memory but brimming with questions.
PUBLISHERS WEEKLY
The thoughtful, clear-eyed final installment of Nobel laureate Coetzee's Jesus trilogy picks up three years after The Schooldays of Jesus. David, now age 10, remains an enigmatic prodigy, skilled at soccer, dance, and arcane mathematics, and living under the watchful eye of his ruminative adopted father, Simon who again narrates and Ines, his protective adoptive mother. The family, living in a Spanish-speaking town called Estrella in an unnamed country, is disrupted when Dr. Julio Fabricante, the director of a local orphanage, challenges David and his friends to play soccer against the orphans' team. Almost immediately, David is enchanted by the orphans, and runs away to live with them. After David comes down with a mysterious neurological disorder that makes him prone to sudden falls, he returns home to Simon and Ines. Simon notices changes in David; he is aloof with Simon and Ines and unsettled by questions about the afterlife. David has also attracted a band of followers who treat him with messianic devotion as he recites stories from Don Quixote. Like in previous volumes, Coetzee's simple, clean prose is guided by philosophical questions, and Simon's humanistic reflections provide a thrilling contrast to David's bumpy journey of faith and acceptance of his mortality. This is an ambitious and satisfying conclusion.
