A Woman Looking at Men Looking at Women
Essays on Art, Sex, and the Mind
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'A great mind that is constantly exploring, searching, "becoming" . . . an impressive collection' Elif Shafak, Observer
'A phenomenal book' Claire Kohda Hazelton, Guardian
'We are fortunate to have Hustvedt voicing doubt so intelligently' Lara Feigel, Financial Times
A TRAIL-BLAZING AND INSPIRING COLLECTION OF ESSAYS ON ART, FEMINISM, NEUROSCIENCE AND PSYCHOLOGY FEATURING THE DELUSIONS OF CERTAINTY, WINNER OF THE EUROPEAN ESSAY PRIZE 2019.
Internationally acclaimed as a novelist, Siri Hustvedt is also highly regarded as a writer of non-fiction whose insights are drawn from her broad knowledge in the arts, humanities, and sciences.
In this trilogy of works collected in a single volume, Hustvedt brings a feminist, interdisciplinary perspective to a range of subjects. Louise Bourgeois, Pablo Picasso, Susan Sontag and Knut Ove Knausgaard are among those who come under her scrutiny. In the book's central essay, she explores the intractable mind-body problem and in the third section she reflects on the mysteries of hysteria, synesthesia, memory, perception, and the philosophy of Søren Kierkegaard. With clarity, wit, and passion, she exposes gender bias, upends received ideas, and challenges her reader to think again.
PRAISE FOR SIRI HUSTVEDT:
'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie
'It is Hustvedt's gift to write with exemplary clarity of what is by necessity unclear' Hilary Mantel
'Her novels have received a deserved acclaim. But to my mind, she is even more to be admired as an essayist . . . in this regard I feel that she resembles Virginia Woolf ' Observer
'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post
PUBLISHERS WEEKLY
In this erudite collection, novelist Hustvedt (The Blazing World) explores philosophical questions central to the humanities using research from other disciplines, such as biology, feminist theory, and neuroscience. The questions relate to the self, epistemology, and art and literature, among other things. In the middle portion of the book, in an essay that ought to become canonical, Hustvedt examines the problematic underpinnings of current scientific fads such as evolutionary psychology and computational theory of mind. Her lengthy exercise in phenomenology provides a dense, succinct overview of the mind/body problem, which "has haunted Western philosophy since the Greeks." The questions that preoccupy Hustvedt are the questions of a novelist, but they take consciousness itself as their subject: Where do ideas come from? How do stories get created? What is reflective self-consciousness, and how is it formed? What role do imagination, emotion, memory, and the unconscious play in this thing we call mind? The book conveys the wide range of Hustvedt's reading as she focuses on the interstices between people; between disciplines; and between concepts such as art and science, truth and fiction, feeling and perception. The research is sound and the scholarship engaging, and the exacting prose turns humorous and almost warm when Hustvedt incorporates her personal reflections, exhibiting, as she says of the artist Louise Bourgeois, "a quick mind, interested above all in its own contents."
