What I Loved
The International Bestseller
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- € 0,99
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LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION
'Defiantly complex and frequently dazzling' Sunday Times
'Siri Hustvedt's most ambitious, most rewarding novel. It mesmerises, arouses, disturbs' Salman Rushdie
'Superb . . . What I Loved is a rare thing, a page turner written at full intellectual stretch, serious but witty, large-minded and morally engaged' New York Times Book Review
'A love story with the grip and suspense of a thriller' Times Literary Supplement
In 1975 art historian Leo Hertzberg discovers an extraordinary painting by an unknown artist in a New York gallery. He buys the work, tracks down its creator, Bill Wechsler, and the two men embark on a life-long friendship.
This is the story of their intense and troubled relationship, of the women in their lives and their work, of art and hysteria, love and seduction and their sons - born the same year but whose lives take very different paths.
'A big, wide, sensuous novel - clever, sinister, yet attractively real' Guardian
PRAISE FOR SIRI HUSTVEDT:
'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie
'One of our finest novelists' Oliver Sacks
'Reading a Hustvedt novel is like consuming the best of David Lynch' Financial Times
'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post
'A 21st-century Virginia Woolf' Literary Review
PUBLISHERS WEEKLY
A starred or boxed review indicates a book of outstanding quality. A review with a blue-tinted title indicates a book of exceptional importance that hasn't received a starred or boxed review.WHAT I LOVEDSiri Hustvedt. Holt, $25 (384p) The ardent exchange of ideas underlies all manner of passionate action in Hustvedt's third novel (after The Enchantment of Lily Dahl), a dark tale of two intertwined New York families. "What is memory's perspective? Does the man revise the boy's view or is the imprint relatively static, a vestige of what was once intimately known?" So muses Columbia University art historian Leo Hertzberg as he recalls the love affair between artist Bill ("Seeing is flux") Wechsler and his model/second wife, Violet, whom Leo secretly loves almost as much as his own wife, Erica. Leo and Bill become friends when Leo buys a huge portrait of Violet, the first painting Bill has ever sold, and the two are inseparable ever after. Erica and Bill's first wife, Lucille, give birth to sons in the same year and, soon afterward, the Wechslers buy a loft in the same SoHo building. When the boys are four, Bill and Lucille are divorced, and Bill marries Violet. Linked by their love of art and language (Erica is an English professor and Violet a Ph.D. student with a specialty in 19th-century forms of madness), the two couples talk insatiably about art and life, celebrating triumphs and weathering tragedy together. In its second half, the novel shifts into the terrain of the psychological thriller, as Bill and Lucille's son, Mark, a dangerously charming boy, grows up and slips into a sinister New York club scene. So solid and complex are Hustvedt's characters that the change in pace is effortlessly effected the plot developments are the natural extension of the author's meticulous examination of relationships and motives. In considering Violet, Leo observes, "Unlike most intellectuals, didn't distinguish between the cerebral and the physical." The same distinctions are blurred in this gripping, seductive novel, a breakout work for Hustvedt. Author tour.
