By Any Other Name
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4.5 • 6 Ratings
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- $9.99
Publisher Description
No.1 New York Times bestselling author Jodi Picoult brings to life the woman many believe was the real playwright behind the work of William Shakespeare alongside a contemporary story of a New York author suffering the same fate of being silenced.
'Jodi Picoult is that rare, one-in-a-million writer whose books both squeeze your heart and expand your mind.'
EMILY HENRY
What if the greatest writer of all time isn't who we think he is?
In 1581, Emilia Bassano is allowed no voice of her own. But as the Lord Chamberlain's mistress she has access to the theatre and finds a way to bring her work to the stage secretly. But creating some of the world's greatest dramatic masterpieces comes at a cost: by paying a man for the use of his name, she will write her own out of history. His name? William Shakespeare.
In present day Manhattan, playwright Melina Green has written a new work inspired by the life of her Elizabethan ancestor Emilia Bassano. Although the challenges are different four hundred years later, the playing field is still not level for women in theatre. Is Melina like Emilia willing to forfeit her credit as author, to see her work performed?
No.1 New York Times bestselling author Jodi Picoult has written a sweeping tale of ambition, courage and desire that explores the ways in which two women, centuries apart, are both forced to hide behind another name to make their voices heard.
'It is hard to exaggerate how well Picoult writes.'
FINANCIAL TIMES
'A writer the world needs to be reading right now.'
INDEPENDENT
PUBLISHERS WEEKLY
Picoult (Wish You Were Here) offers a stimulating if muddled parallel narrative of two women writers, each of whose work is credited to a man. In 1582, poet Emilia Bassano becomes consort to Lord Hunsdon, Queen Elizabeth's Lord Chamberlain. At the time, women were forbidden to have anything to do with the theater, but when Emilia crosses paths with William Shakespeare, he's impressed with her work and agrees to pay for the sonnets and plays she's secretly written if he can take credit for them. Thus begins a working relationship that spans decades. In the present day, Emilia's descendant Melina Green writes a play about Emilia and Shakespeare, but fears she won't be able to get it produced after being told that people only relate to plays by men. Unbeknownst to Melina, her roommate, Andre, submits the play to a fringe festival under the pseudonym Mel Green, leading the artistic director to assume the writer is a man. After the play is accepted, Andre poses as Mel during the production, with Melina pretending to be his assistant. The Elizabethan sections, which follow Emilia through an unhappy marriage as the work she wrote for Shakespeare receives acclaim, are the strongest. In comparison, Picoult's depictions of racism and sexism in the contemporary theater world are a bit simplistic. It's a mixed bag.
