A Perfect Crime
A Thriller
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4.7 • 14 Ratings
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- $12.99
Publisher Description
“A perfect page-turner . . . Books this well written and involving don’t come along often. . . . Peter Abrahams is my favorite American suspense novelist.”—Stephen King
An unfaithful wife. A cheating lover. A loyal friend. A jealous husband. In this stunning thriller, four lives hang in precarious balance—as a cunning killer prepares their roles in A Perfect Crime.
Distraught by a failing marriage, Francie Cullingwood enters into a secret affair with charismatic radio psychologist Ned Demarco. But what seems like a refuge takes a decidedly dark turn. For when the liaison is discovered, a seething, enraged genius begins to construct the perfect, flawless murder, manipulating Francie, her lover, and her best friend like chess pieces in a lethal game. But even the most brilliant mind can make mistakes. And soon the intricate plan is spinning wildly out of control—in shocking, fatal directions. . . .
Praise for A Perfect Crime
“Abrahams gets the human dimensions just right. . . . Each stage of this perverse puzzle has been constructed with deadly artistry.”—The New York Times Book Review
“A first-rate psychological thriller . . . a plot filled with Machiavellian maneuvers and subtle irony . . . Drawing the reader unrelentingly through the chain of events, this novel is a must-read.”—The Denver Post
“Abrahams has written more than a crime story here. His prose is elegant by any literary standard. . . . Abrahams grips us so closely, line by line, making everything hyper-real.”—Los Angeles Times
“A Perfect Crime is a perfect read—a novel of malice and retribution that crackles from page one like a live wire.”—New York Times bestselling author Michael Palmer
PUBLISHERS WEEKLY
A Boston woman's ill-advised affair with a talk-show host leads to murder and mayhem in this initially absorbing but somewhat contrived thriller from the author of The Fan and Lights Out. Art critic Francie Cullingwood is the beautiful, sophisticated and dissatisfied protagonist who seeks sexual satisfaction outside her stale marriage. Her lover is Ned DeMarco, a handsome, touchy-feely psychiatrist who hosts a radio show for the emotionally forlorn. Their passionate arrangement begins to unravel when Roger, Francie's brilliant but angry husband (a Harvard summa who's been fired from his job as a securities analyst), suspects her adultery and hires a hit man, Whitey Truax, to exact revenge on his spouse. Truax, it turns out, is a serial killer with a very short fuse. The tension rises as Abrahams cuts between the plot participants: Ned's wife, Anne, becomes Francie's tennis partner, making Francie aware of the damage the affair is causing, while Ned desperately clings to their involvement and Roger plots his bizarre campaign of retribution. The initial showdown between Whitey and his potential victims takes place at the adulterous couple's love nest, a New Hampshire cottage that quickly becomes a house of horrors when Whitey suspects Roger of double-crossing him, and runs amok on a killing spree that eventually leads back to Boston. Abrahams does his best work in a series of well-crafted early scenes that effectively convey the different levels of emotional duplicity among the protagonists, but the actual murders are strictly formulaic. While Francie, Ned and Anne are well-drawn, Abrahams's portrayals of both Roger and his minion lack dimension; they are both plot devices whose ludicrous partnership never carries the ring of credibility. Even so, as he explores Francie's emotional terrain in the wake of tragedy, Abrahams will keep readers very much engaged.
