Brutal Imagination PA
-
-
5.0 • 1 Rating
-
-
- $8.99
-
- $8.99
Publisher Description
Finalist for the National Book Award in Poetry
Brutal Imagination is the work of a poet at the peak of his considerable powers, confronting a crucial subject: the black man in America.
“A hymn to all the sons this country has stolen from her African-American families.”—The Village Voice
This poetry collection explores the vision of the black man in white imagination, as well as the black family and the barriers of color, class, and caste that tear it apart. These two main themes showcase Cornelius Eady’s range: his deft wit, inventiveness, and skillfully targeted anger, and the way in which he combines the subtle with the charged, street idiom with elegant inversions, harsh images with the sweetly ordinary.
Includes poems that inspired the libretto for Eady’s music-drama Running Man, a 1999 Pulitzer Prize finalist.
PUBLISHERS WEEKLY
Best known for outlining the nameless figures of old-time city life in a style that, like Charles Simic's, is at once realistic and abstract, Eady, in his seventh collection, boldly takes up the persona of the imaginary black criminal who Susan Smith invented to take the blame for the drowning of her children. "When called, I come," Eady writes. "My job is to get things done." Rather than launching a direct attack on racial injustice, Eady, in the series of poems that comprise the book's first part, makes this Frankenstein's monster into a secret sharer, bound to sit by the suspect's side and shed an invisible tear. "Why do wives and children seem to attract me?" he asks with chilling na vet . These poems resemble Ai's monologues of history and headline, an urgent tabloid origami that takes the lurid and the sensational and rediscovers in them the essentially tragic. In the book's second part, "The Running Man Poems," the hero is again a black criminal, one who starts out a bookish prodigy and somehow winds up conceiving of himself as an outlaw, one whose crimes are little more than spearing insects until, we are given to infer, he kills his lover with a razor and buries her in the pines. In both series, poems of secret perspective contemplate the flawed strength of men as imagined through the medium of women. Their brutal subjects and diction work extraordinarily well in opening strange, brutal hearts to the reader.
