I Fear My Pain Interests You
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3.6 • 7 Ratings
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- $9.99
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- $9.99
Publisher Description
A punky, raw novel of millenial disaffection, trauma and 1960s cinema
Margot is the child of renowned musicians and the product of a particularly punky upbringing. Burnt-out from the burden of expectation and the bad end of the worst relationship yet, she leaves New York and heads to to the Pacific Northwest. She’s seeking to escape both the eyes of the world and the echoing voice of that last bad man. But a chance encounter with a dubious doctor in a graveyard, and the discovery of a dozen old film reels, opens the door to a study of both the peculiarities of her body and the absurdities of her famous family.
A literary take on cinema du corps, Stephanie LaCava’s new novel is an audaciously sexy and moving exploration of culture and connections, bodies and breakdowns.
PUBLISHERS WEEKLY
LaCava (The Superrationals) offers a sharp if uneven story of privilege and pain. Margot, an aspiring actor in her early 20s, has just been abandoned by her famous, 57-year-old, on-again-off-again lover, known only as "the Director." It's the latest in a series of indignities for Margot, the daughter of rock stars and the granddaughter of recording-industry greats: her mother isn't answering Margot's calls, her controlling grandmother is keeping an eye over her every move, and she's recently been kicked out of Brown. All these devastations land atop Margot's inability to feel physical pain. Her best friend, Lucy, invites her to spend some alone time in her family's Montana mansion, and, once there, Margot explores the small Montana town and meets a surgeon from New York she nicknames "Graves." As Margot revisits her past and her family ties from afar, it remains unclear if she's Graves's love interest or his case study, given his fascination with her condition. While LaCava is a funny and astute observer (of the Montana house: "It was all very beautiful, by some architect whose name I couldn't pronounce back when I was able to remember it")—a high-stakes turn involving Margot's blurry arrangement with Graves fails to come together. Though it ultimately frustrates, LaCava gets plenty of mileage out of her protagonist's small dramas.
