Last Stop on Market Street
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4.4 • 45 Ratings
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- $5.99
Publisher Description
#1 New York Times Bestseller
A USA Today Bestseller
Winner of the Newbery Medal
A Caldecott Honor Book
A Coretta Scott King Illustrator Honor Book
A Kirkus Reviews Best Picture Book of the Century
One of The Atlantic’s 65 Essential Children’s Books
This award-winning modern classic—a must-have for every child’s home library—is an inclusive ode to kindness, empathy, gratitude, and finding joy in unexpected places, and celebrates the special bond between a curious young boy and his loving grandmother.
"This gentle, artfully illustrated tale of a boy and his grandmother offers a thoughtful introduction to adult themes like race, poverty and disability."—The New York Times
On Sundays, CJ and his nana ride the bus across town to their stop on Market Street. But today, CJ’s not happy about it. Today, he’s wondering out loud why they have to wait in the rain and why they don’t have a car like his other friends. But it’s Nana who opens young CJ’s eyes and shows him the real beauty in the world around them—the spirit of the bustling city, the music in everyday life, and the magic of their often overlooked neighbors.
From award-winning talents Matt de la Peña and Christian Robinson comes a brilliant celebration of the love between a grandmother and her grandson.
PUBLISHERS WEEKLY
Like still waters, de la Pe a (A Nation's Hope) and Robinson's (Gaston) story runs deep. It finds beauty in unexpected places, explores the difference between what's fleeting and what lasts, acknowledges inequality, and testifies to the love shared by an African-American boy and his grandmother. On Sunday, CJ and Nana don't go home after church like everybody else. Instead, they wait for the Market Street bus. "How come we don't got a car?" CJ complains. Like many children his age, CJ is caught up in noticing what other people have and don't have; de la Pe a handles these conversations with grace. "Boy, what do we need a car for?" she responds. "We got a bus that breathes fire, and old Mr. Dennis, who always has a trick for you." (The driver obliges by pulling a coin out of CJ's ear.) When CJ wishes for a fancy mobile music device like the one that two boys at the back of the bus share, Nana points out a passenger with a guitar. "You got the real live thing sitting across from you." The man begins to play, and CJ closes his eyes. "He was lost in the sound and the sound gave him the feeling of magic." When the song's over, the whole bus applauds, "even the boys in the back." Nana, readers begin to sense, brings people together wherever she goes.Robinson's paintings contribute to the story's embrace of simplicity. His folk-style figures come in a rainbow of shapes and sizes, his urban landscape accented with flying pigeons and the tracery of security gates and fire escapes. At last, CJ and Nana reach their destination the neighborhood soup kitchen. Nana's ability to find "beautiful where he never even thought to look" begins to work on CJ as the two spot people they've come to know. "I'm glad we came," he tells her. Earlier, Nana says that life in the deteriorated neighborhood makes people "a better witness for what's beautiful." This story has the same effect. Ages 3 5.
