Lost Boy Found
-
-
3.9 • 36 Ratings
-
-
- $9.99
Publisher Description
Perfect for fans of the NYT bestseller Sold on a Monday, this Southern historical novel based on the true story of a boy's mysterious disappearance examines despair, loyalty, and the nature of truth.
In 1913, on a summer's day at Half Moon Lake, Louisiana, four-year-old Sonny Davenport walks into the woods and never returns.
The boy's mysterious disappearance from the family's lake house makes front-page news in their home town of Opelousas. John Henry and Mary Davenport are wealthy and influential, and will do anything to find their son. For two years, the Davenports search across the South, offer increasingly large rewards and struggle not to give in to despair. Then, at the moment when all hope seems lost, the boy is found in the company of a tramp.
But is he truly Sonny Davenport? The circumstances of his discovery raise more questions than answers. And when Grace Mill, an unwed farm worker, travels from Alabama to lay claim to the child, newspapers, townsfolk, even the Davenports' own friends, take sides.
As the tramp's kidnapping trial begins, and two desperate mothers fight for ownership of the boy, the people of Opelousas discover that truth is more complicated than they'd ever dreamed.
PUBLISHERS WEEKLY
In Alexander's uneven debut, a wealthy Louisiana family loses its youngest child and resorts to extreme measures in an attempt to heal. While visiting their Louisiana lake house in 1913, seven-year-old George Davenport and six-year-old Paul return from a walk in the woods without their four-year-old brother, Sonny. Their father, John Henry, spends the next two years chasing dead ends in search of answers about Sonny, while his wife, Mary, grieves and the older boys remain quiet about how they'd told Sonny to run away. In 1915, pregnant Grace Mill works as a maid in Magnolia, Miss. As she prepares for her new baby, she asks Gideon Wolf, who does odd jobs, to take her four-year-old mute son, Ned, for a few weeks. Gideon agrees, but doesn't return when he was supposed to, and Grace later learns of his arrest in Louisiana for kidnapping Ned, whom the Davenports have identified as Sonny. They know that he is not their son, but they pull strings to claim him anyway. In Alexander's didactic, black-and-white narrative of class injustice, Grace can't possibly win when the rich decide they want something. While Alexander pulls off a truly horrific ending, what starts out as a strong narrative devolves into a flat melodrama with cartoony caricatures of the spoiled and wealthy Davenports. The narrative's lack of moral complexity is a real turn-off.
