![Mary](/assets/artwork/1x1-42817eea7ade52607a760cbee00d1495.gif)
![Mary](/assets/artwork/1x1-42817eea7ade52607a760cbee00d1495.gif)
![](/assets/artwork/1x1-42817eea7ade52607a760cbee00d1495.gif)
![](/assets/artwork/1x1-42817eea7ade52607a760cbee00d1495.gif)
Mary
A Fiction
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3.7 • 7 Ratings
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Publisher Description
The Author
Mary Wollstonecraft (27 April 1759 – 10 September 1797) was an eighteenth-century British writer, philosopher, and advocate of women's rights. During her brief career, she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Wollstonecraft is best known for A Vindication of the Rights of Woman (1792), in which she argues that women are not naturally inferior to men, but appear to be only because they lack education. She suggests that both men and women should be treated as rational beings and imagines a social order founded on reason.
Wollstonecraft died at the age of thirty-eight, ten days after giving birth to her second daughter, leaving behind several unfinished manuscripts. Her daughter Mary Wollstonecraft Godwin, later Mary Shelley, the author of Frankenstein, would become an accomplished writer herself.
The Novel
Mary: A Fiction is the only complete novel by the 18th-century British feminist Mary Wollstonecraft. It tells the tragic story of a heroine's successive "romantic friendships" with a woman and a man. Composed while Wollstonecraft was a governess in Ireland, the novel was published in 1788 shortly after her summary dismissal and her momentous decision to embark on a writing career, a precarious and disreputable profession for women in 18th-century Britain.
Inspired by Jean-Jacques Rousseau's idea that geniuses are self-taught, Wollstonecraft chose a rational, self-taught heroine, Mary, as the central character of her novel. Helping to redefine genius (a word which at the end of the 18th century was only beginning to take on its modern meaning of exceptional or brilliant), Wollstonecraft describes Mary as independent and capable of defining femininity and marriage for herself. It is Mary's "strong, original opinions" and her resistance to "conventional wisdom" that mark her as a genius. Making her heroine a genius allowed Wollstonecraft to criticize marriage as well: geniuses were "enchained" rather than enriched by marriage.