Our Mothers' War
American Women at Home and at the Front During World War II
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3.3 • 3 Ratings
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- $9.99
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- $9.99
Publisher Description
Our Mothers' War is a stunning and unprecedented portrait of women during World War II, a war that forever transformed the way women participate in American society.
Never before has the vast range of women's experiences during this pivotal era been brought together in one book. Now, Our Mothers' War re-creates what American women from all walks of life were doing and thinking, on the home front and abroad. These heartwarming and sometimes heartbreaking accounts of the women we have known as mothers, aunts, and grandmothers reveal facets of their lives that have usually remained unmentioned and unappreciated.
Our Mothers' War gives center stage to one of WWII's most essential fighting forces: the women of America, whose extraordinary bravery, strength, and humanity shine through on every page.
PUBLISHERS WEEKLY
After years of planting Victory gardens, volunteering at USOs and coping with increased home front responsibilities, in early 1945 Yellin's mother quit her desk job at Reader's Digest and shipped out to the Pacific Front to join the Red Cross. Wartime manpower shortages were bending gender rules, and many women seized the opportunity to try something different. While feminist historians have analyzed the meaning of their war experience, journalist Yellin takes a more subjective approach. This nonjudgmental, anecdotal account covers the usual range of topics women in war industries, in volunteer work, in the armed forces, in undercover operations but Yellin avoids retelling the familiar. Thus, she discusses the experiences of Lena Horne and Julia Child more fully than those of Eleanor Roosevelt, and delves deeper into the anti-Semitic Mothers' Movement and Hawaiian prostitutes walking picket lines than more mainstream organizations like the CIO women's committees. Yellin describes the exclusion of African-American women from most military units and the internment of Japanese-American women, but adds little to present scholarship on minority women's participation. Indeed, since her most original material comes from interviews with relatives, family friends and contacts, the book is strongest on the experiences of educated white women, which were surprisingly diverse. For WAVES director Mildred McAfee the president of Wellesley College before the war life in the navy took her out of her "cloister" and thrust her into a world where "women are women and men are men." For others, like Yellin's mother, the war let their genies out of the bottle.
