ALL IN A DAY’S WORK FOR A DRUGLORD.
OR IN HOLLYWOOD.
Ruined and on the lam, former drug kingpin Max Fisher stumbles upon the
biggest discovery of his crooked life: a designer drug called PIMP that could put him back on top. Meanwhile, a certain femme fatale from his past is pursuing a comeback dream of her own, setting herself up in Hollywood as producer of a series based on her and Max’s life story. But even in La-La Land, happy endings are hard to come by, especially with both the cops and your enemies in the drug trade coming after you…
In Bruen and Starr's scattershot fourth Max Fisher noir (after 2008's The Max), a new designer drug called PIMP (an acronym for peyote, insulin, mescaline, and psychosis) is poised to give the ne'er-do-well New York City "businessman" (i.e., drug dealer) another shot at the big time. Since the first book in the series, 2006's Bust, in which Max and his secretary, Angela Petrakos, plotted to kill his wife, Max has fallen on hard times, appearing after his plastic surgery "like Philip Seymour Hoffman after the autopsy." Meanwhile, Angela has stumbled as well, making a living in porn. But she's caught a break, too. In a metafictional twist, a movie of Bust is in heated development, and she's determined to produce and star. The usual torrent of pop culture references (and relentless self-references) heap satire on filmmaking and crime writing as Bruen and Starr take a comic look back at their initial collaboration. Longtime fans may enjoy the 10th-anniversary antics, but new readers might want to start with Bust and work their way up.