Reading Backwards
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- $5.99
Publisher Description
Reading Backwards is John Crowley’s first collection of non-fiction since In Other Words was published in 2007. Like its predecessor, this new book reflects an astonishing range of interests, both literary and otherwise. Like its predecessor, it is a book that no John Crowley fan can afford to miss.
The volume opens with the autobiographical “My Life in the Theater,” a memoir of the younger Crowley’s earliest ambitions, and closes with the moving and memorable “Practicing the Arts of Peace.” In between, the author offers us more than thirty carefully crafted essays, each one notable for its insight, intelligence and typically graceful prose.
The opening section, A Voice from the Easy Chair, reflects Crowley’s tenure as Easy Chair columnist for Harper’s Magazine. Subjects include life under the once omni-present threat of the Selective Service Board, the enduring personal importance of the Encyclopedia Britannica, and thoughts on what it means to be truly well read. The second section, Fictional Voices, is filled with acute commentary on a wide range of books and writers, among them SF masters such as Paul Park, Ursula K. Le Guin and Thomas Disch; the important, if neglected, historical novelist David Stacton (a model for the fictional Ffellowes Kraft of the Ægypt novels); classic science fiction novels of the 1950s, and much, much more. The final section, Looking Outward, Looking In, ranges freely across a wide variety of subjects and ideas, such as UFO literature, the utopian architecture of Norman Bel Geddes, the life and career of renowned theosophist Helena Blavatsky, and the nature of time.
Reading Backwards is a book that can be read from beginning to end with enormous pleasure. It can also be read and enjoyed in whatever order the reader prefers. However it’s read, it’s a multifarious source of entertainment, illumination, and thought, and offers a fascinating glimpse into the intellectual life of one of the finest novelists of our time.
PUBLISHERS WEEKLY
Crowley, best known for his fantasy fiction (Ka: Dar Oakley in the Ruin of Ymr), shows his colors as an insightful critic in this collection of 39 essays and book reviews. Grouped into three loosely organized sections, the selections range over a wide variety of themes and interests, from a delightful introductory memoir about Crowley's youth as a passionate Wagnerian, to considerations of the eccentric art of Edward Gorey, the novels of Ursula K. Le Guin and Richard Hughes, the industrial design wizardry of Norman Bel Geddes, Jack Womack's exhibition catalogue of UFO-logy, and H. G. Wells's reaction to Fritz Lang's futuristic film Metropolis. Crowley writes with a light touch, but he's adept at bringing his subjects into sharp focus with a well-phrased observation, as when, in his essay "Unrealism," he denotes the attributes of classical romance incongruously underpinning the film Taxi Driver as an example of how artists "displace romance material into their realistic worlds without knowing that they do so." This book makes a fine companion volume to Crowley's previous essay collection, In Other Words (2007), and it will likely send its readers to investigate more of the books and subjects it covers.