Shooter in the Crosshairs

Brock Nicholls screwed up.
When his television career went down in flames on the steps of a Dallas courthouse, it made national news and earned the TV photog a night in lock-up. Now, Brock’s stuck in the place where it all started, Baton Rouge, working for a mental midget like Percy Finch and his "Good News" strategy that has viewers flocking to the competition. If that weren't bad enough, Finch has Brock locked into shooting pet parades for Katie Couric wannabes like Nancy Patrick.
Against his better judgment, Brock drags Nancy to the scene of a fire where he is plunged into the world that originally ignited his passion for this business – a world before cookie-cutter anchors and Barbie doll reporters. There he finds something that has been sorely missing in his life – the first real person he's met in years, Ida Mae Christophe. Miss Ida is sure the man burning the homes in her neighborhood is connected to former Grand Dragon, Raphe Whitney.
Miss Ida has reason to fear, she and the Klan have crossed paths before. And when she sees the arsonist leaving a house just before it goes up in flames, she fears she'll be next.
Brock is sure that, through her eyes, he can tell the story of a neglected corner of the metro wallowing in poverty, crime, and fear. A story so intense, it will catapult him back to the top. In order to do it, he and Nancy will have to find the arsonist hiding in the circle of lighted torches around the burning cross.
Shooter in the Crosshairs is a lightning-fast tale of a guy who lives for the chase and will do whatever it takes to tell the story – including camping out in a crackhouse hoping to catch a glimpse of the arsonist. Along the way, Brock reveals newsroom secrets and rails against everything that is wrong with the business he loves, a business that's cost him every relationship he's ever had.
When he finally comes face-to-face with the man behind the sheet, Brock discovers he has one more demon to exorcise – one from his youth. In order to do that, he'll have to decide between telling the story of a lifetime and sending a murderer to jail.