Book 2 in the #1 New York Times bestselling Otherworld series
"A taut, sensual thriller that grips from the first page. Elena Michales is at once sublime and sympathetic, a modern heroine who shows that real women bite back."—Karin Slaughter, The New York Times
Elena Michaels is back—and she has company. When a young witch tells Elena that a group of humans are kidnapping supernaturals, Elena ignores the warning. After all, everyone knows there’s no such thing as witches. As for the thought of other ‘supernaturals’, well, she’d just rather not dwell on the possibility. Soon, however, she’s confronted with the truth about her world, when she’s kidnapped and thrown into a cell-block with witches, sorcerers, half-demons and other werewolves. As Elena soon discovers, dealing with her fellow captives is the least of her worries. In this prison, the real monsters carry the keys.
Lending a mission of vampires, demons, shamans, and witches, Elena is lured into the net of ruthless Internet billionaire Tyrone Winsloe, who is well on his way to amassing a private collection of supernaturals. He plans to harness their powers for himself—even if it means killing them.
For Elena, kidnapped and imprisoned deep underground, unable to tell her friends from her enemies, choosing the right allies is a matter of life and death.
From the Paperback edition.
Elena Michaels, the only known female werewolf, cavorts on a more fully cultivated supernatural playing field in this sure-footed follow-up to Bitten (2001). While investigating a suspicious notice advertising information for sale about werewolves, Elena meets witches Paige and Ruth Winterbourne and, to her misfortune, a team of mortal and supernatural commandos who abduct Elena and Ruth to a remote underground bunker in the wilds of Maine. There Ty Winsloe, "billionaire and computer geek extraordinaire," is collecting a menagerie representing all the supernatural species that coexist anonymously with humanity (vampires, werewolves, witches, etc.). While his scientists study such creatures in the hope of distilling their uncanny powers as salable commodities, Winsloe hunts those captives who have outlived their usefulness in cruel most-dangerous-game fashion. Elena's efforts to outsmart Winsloe long enough to apprise her Pack of her whereabouts are complicated by a werewolf wannabe among the captors. Though the tale is pretty much a prison-break story spiffed up with magic, Armstrong leavens the narrative with brisk action and intriguing dollops of werewolf culture that suggest a complex and richly imagined anthropologic backstory. The sassy, pumped-up Elena makes a perfect hardboiled horror heroine, with enough engaging attitude to compensate for the loose ends left untied to set up her next adventure.
I love it when the bad guys get what they deserve, and oh boy do they.