In this brand-new novel from #1 New York Times bestselling author Meg Cabot, a scandal brings a young man back home to the small town, crazy family, and first love he left behind.
Reed Stewart thought he’d left all his small town troubles—including a broken heart—behind when he ditched tiny Bloomville, Indiana, ten years ago to become rich and famous on the professional golf circuit. Then one tiny post on the Internet causes all of those troubles to return . . . with a vengeance.
Becky Flowers has worked hard to build her successful senior relocation business, but she’s worked even harder to forget Reed Stewart ever existed. She has absolutely no intention of seeing him when he returns—until his family hires her to save his parents.
Now Reed and Becky can’t avoid one another—or the memories of that one fateful night. And soon everything they thought they knew about themselves (and each other) has been turned upside down, and they—and the entire town of Bloomville—might never be the same, all because The Boy Is Back.
Bestseller Cabot's novel, told entirely through documents such as emails and transcripts, concerns smalltown Indiana woman Becky Flowers, whose ex-boyfriend Reed Stewart returns to Bloomville after 10 years away as a famous pro golfer. Reed's parents find themselves making headlines after news of their attempt to pay for a meal with a postage stamp. While Reed's sister-in-law Carly insists that his parents are senile hoarders, Reed and his brother, Marshall, argue that they're merely eccentric. Reed's unpleasant and litigious sister, Trimble, appears to have sinister motives for enabling their parents' issues, but almost everyone else agrees that they need to pare down and move to warmer climes. Cabot's plot is driven by convenient coincidence: Becky happens to be a specialist in helping elderly people move. She and Reed still clearly have the hots for each other, and the presence of Becky's current boyfriend, Graham, is essentially inconsequential. Another old chestnut, the inability for the would-be lovers to communicate their true feelings for one another, is also thrown into the mix and drags out the story. Cabot's method of storytelling, though clever, runs into problems when it turns clunkily to inevitable exposition. The author does a good job of portraying the sixth-grade mean-girl mentality of living in the town where you grew up; the characters are almost 30 but still talk about high school like it was yesterday.