The Castle in the Forest
A Novel
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- $14.99
Publisher Description
The final work of fiction from Norman Mailer, a defining voice of the postwar era, is also one of his most ambitious, taking as its subject the evil of Adolf Hitler. The narrator, a mysterious SS man in possession of extraordinary secrets, follows Adolf from birth through adolescence and offers revealing portraits of Hitler’s parents and siblings. A crucial reflection on the shadows that eclipsed the twentieth century, Mailer’s novel delivers myriad twists and surprises along with characteristically astonishing insights into the struggle between good and evil that exists in us all.
Praise for The Castle in the Forest
“This remarkable novel about the young Adolf Hitler, his family and their shifting circumstances, is Mailer’s most perfect apprehension of the absolutely alien. . . . Mailer doesn’t inhabit these historical figures so much as possess them.”—The New York Times Book Review
“Terrifically creepy . . . an icy and convincing portrait of the dictator as a young sociopath.”—Entertainment Weekly
“The work of a bold and confident writer who may yet be seen as the preeminent novelist of our time . . . a source of tremendous narrative pleasure . . . Every character . . . lives and breathes.”—South Florida Sun-Sentinel
“Blackly hilarious, beautifully written . . . [The Castle in the Forest] has vigor, excitement, humor and vastness of spirit.”—The New York Observer
Praise for Norman Mailer
“[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times
“A writer of the greatest and most reckless talent.”—The New Yorker
“Mailer is indispensable, an American treasure.”—The Washington Post
“A devastatingly alive and original creative mind.”—Life
“Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books
“The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune
“Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post
PUBLISHERS WEEKLY
Mailer did Jesus in The Gospel According to the Son; now he plumbs the psyche of history's most demonic figure in this chilling fictional chronicle of Hitler's boyhood. Mailer tells the story through the eyes of Dieter, a devil tasked by Satan (usually called the Maestro) with fostering Hitler's nascent evil, but in this study of a dysfunctional 19th-century middle-class Austrian household, the real presiding spirit is Freud. Young Adolph (often called Adi) is the offspring of an incestuous marriage between a coarse, domineering civil servant and a lasciviously indulgent mom. The boy duly develops an obsession with feces, a fascination with power, a grandiose self-image and a sexually charged yen for mass slaughter (the sight of gassed or burning beehives thrills him). Dieter frets over Hitler's ego-formation while marveling at the future dictator's burning gaze, his ability to sway weak minds and the instinctive f hrerprinzip that emerges when he plays war with neighborhood boys talents furthered by Central Europe's ambient romantic nationalism. Mailer's view of evil embraces religions and metaphysics, but it's rooted in the squalid soil of toilet-training travails and perverted sexual urges. The novel sometimes feels like a psychoanalytic version of The Screwtape Letters, but Mailer arrives at a somber, compelling portrait of a monstrous soul.