The Unveiling
A Novel
-
- $14.99
Publisher Description
From the award-winning author of We Ride Upon Sticks and When I’m Gone, Look for Me in the East, a genre-bending novel of literary horror set in Antarctica that explores abandonment, guilt, and survival in the shadow of America’s racial legacy
Striker isn’t entirely sure she should be on this luxury Antarctic cruise. A Black film scout, her mission is to photograph potential locations for a big-budget movie about Ernest Shackleton’s doomed expedition. Along the way, she finds private if cautious amusement in the behavior of both the native wildlife and the group of wealthy, mostly white tourists who have chosen to spend Christmas on the Weddell Sea.
But when a kayaking excursion goes horribly wrong, Striker and a group of survivors become stranded on a remote island along the Antarctic Peninsula, a desolate setting complete with boiling geothermal vents and vicious birds. Soon the hostile environment will show each survivor their true face, and as the polar ice thaws in the unseasonable warmth, the group’s secrets, prejudices, and inner demons will also emerge, including revelations from Striker’s past that could irrevocably shatter her world.
With her signature lyricism and humor, Quan Barry offers neither comfort nor closure as she questions the limits of the human bonds that connect us to one another, affirming there are no such things as haunted places, only haunted people. Gripping, lucid, and imaginative, The Unveiling is an astonishing ghost story about the masks we wear and the truths we hide even from ourselves.
PUBLISHERS WEEKLY
Making an uneven excursion into horror, Barry (When I'm Gone, Look for Me in the East) offers a mind-bending exploration of grief and trauma. Film scout Striker is the only Black person on a luxury Antarctic cruise otherwise populated by über-wealthy white people. She joins a kayak excursion that ends in disaster when the guide is killed in an event that none of the group can remember. As Striker and the other now stranded survivors take shelter on an island to wait for help, the group's mental states devolve amid the lonely and harsh landscape. The island hides strange secrets about its historical inhabitants, and Striker and the others are pushed to the brink of madness as the island uncovers their secrets as well. Hope of being rescued steadily dwindles until the group begins to doubt there's even a world to get back to. The novel gets off to a stellar start rife with tension and satire drawn from Barry's smart and often witty characterization, but the final act largely ignores this solid groundwork in favor of increasingly dreamlike descriptions of surreal arctic landscapes. It feels like squandered potential.