The White Lioness
A small-town murder leads to international intrigue in this “first-class thriller” from the New York Times–bestselling master of Scandinavian crime (The New York Times Book Review).
Inspector Kurt Wallander returns in the second of Henning Mankell’s award-winning, internationally-bestselling detective novels, this time to investigate the execution-style killing of a Swedish housewife. The local police focus on a determined stalker who’s suddenly nowhere to be found, but when they finally catch up with their prime suspect his alibi turns out to be airtight.
Digging deeper, Wallander discovers that the woman’s death is more complex and dangerous than a crime of passion. His search for the truth takes him far from home and into the murky world of apartheid-era South Africa, where he uncovers a sinister assassination plot. Soon the small-town detective finds himself in a high-stakes tangle with the South African secret service and a ruthless ex-KGB agent.
Combining heart-pounding suspense with probing social commentary, The White Lioness is an essential chapter in the addictive mystery series that inspired the hit TV show Wallander starring Kenneth Branagh. “It is not hard to see why the Wallander books have made such an impact” (The Times Literary Supplement).
Like his countrymen Maj Sjowall and Per Wahloo, Mankell writes mysteries that connect crimes in Sweden to the rest of the world. Faceless Killers (1997), the first of his books about provincial police inspector Kurt Wallender to appear here, involved Turkish immigrants and Eastern European villains. This novel, written in 1993, links the murder of a real estate agent in Wallender's town of Ystad to South Africa, where Nelson Mandela has just been released from prison, and to Russia, where the KGB is busy planning Mandela's fate. Wallender is a classically dour but dedicated policeman whose progress through his cases is a combination of hard slogging and lucky breaks. But several factors render this effort less compelling than its predecessor. The first is the Day of the Jackal syndrome: we know that Mandela wasn't killed by KGB agents or white Afrikaner terrorists, and that knowledge makes the suspense writer's job even harder. Second is the book's length--560 pages is a long haul, even with three exotic settings and dozens of important characters. Third might be Thompson's translation, which--unlike Steven T. Murray's work on Faceless Killers--often seems excessively deadpan. But Wallender is still a solid character, whose strengths and weaknesses are utterly credible, and Mankell (who now lives in Mozambique) knows how to make the most of his virtues.