Ursula K. Le Guin: Conversations on Writing
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5.0 • 6 Ratings
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- $9.99
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- $9.99
Publisher Description
Ursula K. Le Guin discusses her fiction, nonfiction, and poetry?both her process and her philosophy?with all the wisdom, profundity, and rigor we expect from one of the great writers of the last century.
When the New York Times referred to Ursula K. Le Guin as America’s greatest writer of science fiction, they just might have undersold her legacy. It’s hard to look at her vast body of work?novels and stories across multiple genres, poems, translations, essays, speeches, and criticism?and see anything but one of our greatest writers, period.
In a series of interviews with David Naimon (Between the Covers), Le Guin discusses craft, aesthetics, and philosophy in her fiction, poetry, and nonfiction respectively. The discussions provide ample advice and guidance for writers of every level, but also give Le Guin a chance to to sound off on some of her favorite subjects: the genre wars, the patriarchy, the natural world, and what, in her opinion, makes for great writing. With excerpts from her own books and those that she looked to for inspiration, this volume is a treat for Le Guin’s longtime readers, a perfect introduction for those first approaching her writing, and a tribute to her incredible life and work.
PUBLISHERS WEEKLY
Originating in three interviews that short-story author Naimon conducted with SF stalwart Le Guin (The Found and the Lost) for the radio show Between the Covers, this book is an enlightening conversation about the writing process. Both authors adopt the tone of artisans discussing their craft, and each's delight at debating with a like-minded professional is evident throughout. Le Guin stresses the importance of knowing grammatical rules, arguing that to write "anything, you've got to have the tools to make it." Naimon, clearly well versed in Le Guin's work, connects their discussion of language to her novels The Dispossessed, about an "anarchist utopia" with no possessive pronouns, and The Left Hand of Darkness, about an alien race without any fixed gender. Le Guin picks her words and subjects carefully, expositing boldly on writing as an inherently political act (an insight she traces back to George Orwell) and on Margaret Atwood's discomfort with labeling her work science fiction, while shutting down conversations on subjects she feels less able to speak to, such as self-publishing. Her expansive knowledge of the SF genre provides, most strikingly, a sharp perspective on how its female practitioners have too often been forgotten in favor of their male contemporaries. Her rapport with Naimon results in an exchange that is both informative and charming.
