



Women and Other Monsters
Building a New Mythology
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4.5 • 4 Ratings
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- $9.99
Publisher Description
A fresh cultural analysis of female monsters from Greek mythology, and an invitation for all women to reclaim these stories as inspiration for a more wild, more “monstrous” version of feminism
The folklore that has shaped our dominant culture teems with frightening female creatures. In our language, in our stories (many written by men), we underline the idea that women who step out of bounds—who are angry or greedy or ambitious, who are overtly sexual or not sexy enough—aren’t just outside the norm. They’re unnatural. Monstrous. But maybe, the traits we’ve been told make us dangerous and undesirable are actually our greatest strengths.
Through fresh analysis of 11 female monsters, including Medusa, the Harpies, the Furies, and the Sphinx, Jess Zimmerman takes us on an illuminating feminist journey through mythology. She guides women (and others) to reexamine their relationships with traits like hunger, anger, ugliness, and ambition, teaching readers to embrace a new image of the female hero: one that looks a lot like a monster, with the agency and power to match.
Often, women try to avoid the feeling of monstrousness, of being grotesquely alien, by tamping down those qualities that we’re told fall outside the bounds of natural femininity. But monsters also get to do what other female characters—damsels, love interests, and even most heroines—do not. Monsters get to be complete, unrestrained, and larger than life. Today, women are becoming increasingly aware of the ways rules and socially constructed expectations have diminished us. After seeing where compliance gets us—harassed, shut out, and ruled by predators—women have never been more ready to become repellent, fearsome, and ravenous.
PUBLISHERS WEEKLY
In this wry and deeply personal essay collection, Electric Literature editor-in-chief Zimmerman (Basic Witches) uses the female-coded monsters of Greek mythology to explore the cultural constraints and contradictions of modern femininity. Pairing ancient archetypes with pop culture phenomena and intimate details of her romantic life, Zimmerman explores concepts of beauty and ugliness through the lens of the Medusa myth, and relates the archetype of the Chimera to the ways in which women "prune" themselves in order to fit stereotypical expectations of domesticity. Elsewhere, Zimmerman frames a discussion of abortion rights around an analysis of the child-killing sea monster Lamia, and links the Furies to the rage women felt in response to Brett Kavanaugh's Supreme Court confirmation. Occasionally, the book's larger themes slip out of focus, as when an examination of the myth of Charybdis meanders through recollections of Zimmerman's "weird relationship to food" when she was young, the four years she spent with "a man who wouldn't fuck me," and her second husband's marriage proposal. For the most part, though, Zimmerman's skillful pairing of ancient and modern, universal and personal, leads to nuanced discussions of how society suppresses female individuality. Zimmerman's call for women to reclaim their own monstrosity rings loud and clear.