You Can't Hurt Me
‘Elegantly written, this is an atmospheric and disturbing thriller’ THE OBSERVER
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3.0 • 1 Rating
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- £4.99
Publisher Description
'An atmospheric and disturbing thriller' THE OBSERVER
'A gripping narrative with an unforgettable sting in its tail' SABINE DURANT
'As fresh and exciting as it is dark' ELLERY LLYOD
'Full of menace and secrets with some killer twists' CATHERINE COOPER
'Edgy, cool, and intriguing' HARRIET TYCE
He was her doctor.
She was his downfall...
Anna is on the brink of losing it all when she is handed the career opportunity of a lifetime - working as a ghostwriter for charismatic neuroscientist Nate. Nate's work at the mysterious Pain Laboratory could transform millions of lives, but his research is overshadowed by rumours surrounding the shocking death of his wife Eva.
As Anna writes Nate's story, she finds herself obsessed with Eva, a former patient of Nate's who was unable to experience pain but found joy in inflicting it. As she strips away the secrets of their toxic marriage she makes a shocking discovery. And writing the truth will have deadly consequences . . .
YOU CAN'T HURT ME is your next thriller obsession for readers who enjoyed AJ Finn's THE WOMAN IN THE WINDOW, JP Delaney's THE GIRL BEFORE and Alex Michaelides THE SILENT PATIENT.
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Readers love You Can't Hurt Me:
'A gripping read from start to finish' ⭐⭐⭐⭐⭐
'Emma Cook keeps you guessing right through to the end!' ⭐⭐⭐⭐⭐
'Stylish, smart, and authentic thriller' ⭐⭐⭐⭐⭐
'Full of anticipation and atmosphere' ⭐⭐⭐⭐⭐
'An unflinching, gripping page-turner' ⭐⭐⭐⭐⭐
PUBLISHERS WEEKLY
Cook keeps readers on their toes in her exhilarating debut, which centers on a journalist who takes a ghostwriting gig for a well-known neuroscientist. Anna Tate has fought hard to land a job helping Dr. Nate Reid write a biography of his artist wife, Eva, whose body was found in her West London studio two years earlier. Eva's rare medical condition—first diagnosed by Nate—made it impossible for her to feel pain, and Nate rose to prominence by researching her disorder. As Anna parses Eva's diaries and delves into the couple's history, she discovers that her own past may intersect with the dead woman's in ways she never knew. Complicating matters are a new inquest into Eva's death, championed by her sister, Kath; the reemergence of Tony, Anna's protective younger brother, who fears for her safety as she gets closer to Nate; and the opaque machinations of Nate's publisher, Priya. Each character harbors just enough dark secrets to keep readers guessing about where their sympathies should lie. When the reveals finally come, they're richly satisfying. Rarely has the frustration of not knowing who to trust been so much fun.
