When three-year-old Benji is plucked from the security of his home in Nagasaki to live with his American father, Lt. Benjamin Franklin Pinkerton, and stepmother, Kate, on their farm in Illinois, the family conceals Benji’s true identity as a child born from a liaison between an officer and a geisha—and instead tells everyone that he is an orphan. When the truth surfaces, it will splinter this family’s fragile dynamic and send Benji on the journey of a lifetime from Illinois to the Japanese settlements in Denver and San Francisco, then across the ocean to Nagasaki, where he will uncover the truth about his mother’s tragic death.
Don’t miss the exclusive conversation between Angela Davis-Gardner and Jennifer Egan at the back of the book.
Immediately engaging, this quiet and measured sequel to Puccini's Madame Butterfly begins with the dramatic d tente of Puccini's opera: Cio-Cio-san (Butterfly) kills herself when Pinkerton, the father of her son, Benji, returns with an American wife after four years away. Benji then travels with his father and stepmother to flat central Illinois, the polar opposite of Japan, to begin a life of hard farm labor, becoming an outsider within his family and community. Though Davis-Garner (Plum Wine) inherited her characters, they are complex, dimensional beings in her hands. There are no stock villains, perfect heroes, or tragic victims; as Benji grows up and we follow his journey in search of the family, descended from samurai, that supposedly awaits his return to Japan, the author traces the sad descent of Benji's stepmother into madness and father into alcoholism, without being trite or moralistic. Though some of the tension drains from the plot in the book's middle, Davis-Gardner reaps most of the dramatic benefits of Puccini's plot while simultaneously creating an unrushed meditation on character.