Revelation Space
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4.2 • 219 Ratings
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- $1.99
Publisher Description
This highly acclaimed first novel in the Revelation Space universe has redefined the space opera with a staggering journey across vast gulfs of time and space to confront the very nature of reality itself ...
"[A] tour de force ... Ravishingly inventive." —Publishers Weekly
Nine hundred thousand years ago, something annihilated the Amarantin civilization just as it was on the verge of discovering space flight. Now one scientist, Dan Sylveste, will stop at nothing to solve the Amarantin riddle before ancient history repeats itself.
With no other resources at his disposal, Sylveste forges a dangerous alliance with the cyborg crew of the starship Nostalgia for Infinity. But as he closes in on the secret, a killer closes in on him. Because the Amarantin were destroyed for a reason, and if that reason is uncovered, the universe and reality itself could be irrevocably altered ...
PUBLISHERS WEEKLY
This distant-past/far-future, hard sci-fi tour de force probes a galaxy-wide enigma: why does spacefaring humanity encounter so few remnants of intelligent life? Excavating the 900,000-year-old Amarantin civilization on its home world, Resurgam, archaeologist Dan Sylveste discovers evidence of a splinter cult that abandoned Resurgam for the stars but returned, only to be swallowed up by a mysterious cataclysm that destroyed all the Amarantins. Aboard the Nostalgia for Infinity, a vast light-hugger ship in interstellar space, the ominous Triumvirate of cyborg starfarers seeks Sylveste to heal its captain, afflicted by the deadly Melding Plague, which turns once-humans into their own semisentient spaceships. In Chasm City on the slum-ridden world of Yellowstone, assassin Ana Khouri joins the Nostalgia's crew intent on killing Sylveste. Clearly intoxicated by cutting-edge scientific research in bioengineering, space physics, cybernetics Reynolds spins a ravishingly inventive tale of intrigue. Hard SF addicts will applaud the author's talent for creating convincing alien beings and the often uneasy merging of human and machine intelligence, depicted here as nearly too frighteningly real for comfort. Others, however, may find these human-cybernetic hybrid characters chilling, dispassionate (except for their built-in drives toward revenge and murder) and foreboding. Reynolds's vision of a future dominated by artificial intelligence trembles with the ultimate cold of the dark between the stars.
Customer Reviews
The Beginning of the Revelation Space Series
“Revelation Space” is a novel by noted author Alastair Reynolds. It was published in 2000, and begins a series of three novels known as the Inhibitor Trilogy. It is also the first work in his larger Revelation Space Series.
The book would have to be considered space opera, and is set in the far future. There are colonized star systems, in spite of humanity never having developed faster than light travel. Nanotechnology and other advanced materials are commonplace. The remains of civilizations of other alien species have been found, but only the Pattern Jugglers and Shrouders appear as extant species. Both are enigmatic, and entirely dissimilar to humanity.
This novel begins with three narratives, the first involves Dan Sylveste, who is an archaeologist studying an extinct civilization on the planet Resurgam. The second involves Ilia Volyova aboard the Nostalgia for Infinity, a starship which can accelerate to near lightspeed. The third focuses on Ana Khouri, a soldier who we encounter on the planet Yellowstone. These three stories come together in the Delta Pavonis system.
This is one of those novels where the author just throws you into the universe and allows you to discover what’s going on as the narrative progresses. I found that the beginning of the novel was interesting, but I sort of lost steam in the middle of the book. However, I powered through and found the ending to be both interesting and exciting. I’m definitely going to try out the second novel “Redemption Ark.”
Almost at the punch line
I read many things and have a very tolerant view of all types of literature, from all periods and places in human history.
But I have to say, this novel strikes me as one long, tedious, often gruesome joke.
The author is all too often caught up with over elaborate depictions of tunnels and rooms, and the narrative is an endless series of moves through these spaces. But all too soon, they all begin to look and feel very much alike.
The science such as it is in this fiction is no doubt reasonably consistent, at an elementary school level, but it is often utterly pedantic and tiresome. Every now and then there is a pause and we are treated — if one can deign to call it that — to some excursus in some basic scientific principle. But really, reading any such thing in a school room textbook would be more interesting, and have better context.
As to characters, interactions, motivations? They are all utterly two dimensional and unappealing. There is no single, likable persona in the entire panoply of people presented to us here, and the author’s capacity for delineation of emotion and psychology and motivation is almost non-existent.
I rarely go to such lengths to warn strangers away from a work of fiction, but this one merits a big warning sign.
I have no idea how Reynolds gained any attention. Acts of nepotism, patting on the back, money changing hands all come to mind.
No thanks to this author for having wasted a moment of my precious time.
Reading this novel has been a truly nauseating experience. I’m one who has to push through to the end, so I will finish it. But I already know, with only a few pages left to go, that it was a horribly over long and tedious trip to get to the store and find it closed, out of business, with only an outhouse where I’d hoped I’d find at least a hot dog stand.
Infuriating. I think this author, like all too many British sci-fi authors, is at heart a misanthropic wannabe serial killer. Publication of this novel has been a crime against humanity. Shameful.
Narrative without purpose
I'm nearly half way through the book, and *every* character is without any purpose, other than some sort ghostly hand of the author pushing them around. I *wish* they were at least 2D. This reads like a very complicated version of a teenager daydreaming about his favorite heroes having a Really Bad Time™.
Not worth buying; certainly not worth my time to finish.