Now in paperback, from the author of the bestselling The Middlesteins: the novel that's "unabashedly emotional, refreshingly devoid of New York City cynicism, and tenderly funny?" (People).
Jarvis Miller's artist husband has been in a coma for six years. And so, Jarvis has spent these years suspended between hope and grief, paralyzed with longing for a life and a marriage that are slipping away. But then, unexpectedly, Jarvis makes her first new friends in years when she meets the Kept Man Club: three men whose lifestyles are funded by their successful wives, who gather once a week on laundry day. With their help, she reawakens to the city beyond her Brooklyn apartment, past the pitying eyes of her husband?s art dealer and his irresponsible best friend as her future begins to take on the irresistible tingles of possibility for the first time in almost a decade. When a shocking discovery casts a different light on her idealized marriage, she's propelled even further down a path that she would never have dared to imagine just months before. Tender, bold, and unabashed, The Kept Man is a compulsively readable novel about love and loss from one of our most dynamic new storytellers.
In this lugubrious first novel from Brooklynite Attenberg (Instant Love), Jarvis Miller is a young, pretty half-widow in the Williamsburg neighborhood. For six years, her brilliant painter husband, Martin Miller, has lain in a coma in a nursing home, while Jarvis rarely leaves the apartment for more than her once-a-week visit to see him. With frequent musings such as Waiting for Martin to wake up is a different kind of waiting than waiting for him to die, Jarvis slowly takes steps to go on with her life, and in the process, begins to suspect that her picture-perfect marriage may have been something else entirely. She finds little solace in Alice, Martin's glossy, possessive art dealer, or in Davis, Martin's louche artist friend. What helps the most is a serendipitous friendship with three married men she meets in a Laundromat, The Kept Men Club ; the three are financially supported by their wives just as Jarvis, former party girl, was supported first by Martin, and now by his legacy. Attenberg gets the Williamsburg cityscape correct but builds almost zero tension with Jarvis's depressive brooding over Martin, his continued hold on her and the decisions she faces. Not for a moment in this airless dirge does Jarvis or her marriage feel credible.