All Grown Up
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4.0 • 3 Ratings
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- $12.99
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- $12.99
Publisher Description
A national bestseller from the New York Times best-selling author of The Middlesteins, All Grown Up is a wickedly funny novel about a thirty-nine-year-old single, childfree woman who defies convention as she seeks connection.
Who is Andrea Bern? When her therapist asks the question, Andrea knows the right things to say: she’s a designer, a friend, a daughter, a sister. But it’s what she leaves unsaid—she’s alone, a drinker, a former artist, a shrieker in bed, captain of the sinking ship that is her flesh—that feels the most true. Everyone around her seems to have an entirely different idea of what it means to be an adult: her best friend, Indigo, is getting married; her brother—who miraculously seems unscathed by their shared tumultuous childhood—and sister-in-law are having a hoped-for baby; and her friend Matthew continues to wholly devote himself to making dark paintings at the cost of being flat broke.
But when Andrea’s niece finally arrives, born with a heartbreaking ailment, the Bern family is forced to reexamine what really matters. Will this drive them together or tear them apart? Told in gut-wrenchingly honest, mordantly comic vignettes, All Grown Up is a breathtaking display of Jami Attenberg’s power as a storyteller, a whip-smart examination of one woman’s life, lived entirely on her own terms.
PUBLISHERS WEEKLY
Attenberg's (Saint Mazie) new novel is a bildungsroman with a twist, adapting a coming-of-age narrative to a protagonist who is not as young as her immaturity sometimes suggests. In her 30s, New Yorker Andrea Bern is a gifted artist whose talents don't quite extend to mastering adulthood as those around her understand it. While her friends dedicate themselves to building families or careers and her brother and sister-in-law cope with a terminally ill child, Andrea seems stuck in a holding pattern. She abandons the art making she loves, clings to a dead-end job, and embraces drinking and rote sexual encounters; though not making much headway, she sees a therapist for nearly a decade in an attempt to grapple with inner wounds, notably the overdose death of her musician father in the family apartment when she was 13. The novel's darkly comic voice is a delight to read, capturing Andrea's sharp insights as well as her self-destructiveness, while brief chapters that shift back and forth in time effectively convey both the chaos and the stasis of her personal landscape.
